Author Index

A

  • Abd El Azim, Marwa Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
  • Abdelraheim Ibrahim Alkady, Heba Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
  • AbdelRahman, Fadwa Caught in Circular Time: Spatiotemporal Narrative Concerns in Cloum McCann’s Let the Great World Spin [Volume 1, Issue 1, 2019, Pages 32-47]
  • Ahmad Alghamdi, Naimah A Sociolinguistic Study of Religious-Based Proverbs in Al-Bahah Province [Volume 1, Issue 1, 2019, Pages 357-384]
  • Ahmed Ibrahim Gomaa, Nermine Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
  • Ali Mahmoud, Nahid Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]

B

  • Bayoumy, Heidi Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
  • Bromley, Roger “Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]

E

  • ElBeheri, Nehad Collaboration between Machine Translation and Human Translation for Higher Quality and More Production in Translation [Volume 1, Issue 1, 2019, Pages 446-473]
  • Essam Eldin Fahmi, Marwa Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]

F

  • F. Alghazi, Muhammad Metanarrative Translating of Poetry: Striking the Balance between Meaning, Genre, and Language Musicality [Volume 1, Issue 1, 2019, Pages 429-445]
  • Fam, Sylvia Engaging the Senses to Make Sense: Performing Autoethnography in Selected Poems by Two Poet/Educators [Volume 1, Issue 1, 2019, Pages 121-138]

H

  • Hashish, Nadia Postmodern Conceptualization of Focalization, Temporality and Spatiality as Three Narrative Aspects in Darren Greer's Just Beneath My Skin (2014) [Volume 1, Issue 1, 2019, Pages 236-255]
  • Helmy, Nader Narrative Temporality and the Power to Change in Kate Atkinson's Life after Life [Volume 1, Issue 1, 2019, Pages 87-104]

I

  • Ibrahim Kamel, Amal Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
  • Ismail, Alsayed Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]

M

  • Mahmoud Hassan Gad, Fadwa Roz Chast’s Can’t We Talk about Something More Pleasant (2014) and Kawthar Younis’s “A Present from the Past” (2016) as Multimodal Narratives of Old Age [Volume 1, Issue 1, 2019, Pages 216-235]
  • M. M. El Shokrofy, Ebtesam Narrating Tarell Alvin McCraney's The Brother/ Sister Plays [Volume 1, Issue 1, 2019, Pages 180-199]
  • Mohamed Rafik Khalil, Rania An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Mostafa Ahmed Atta, Eman Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]

N

  • Nagi Sarhan, Nihal Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]

S

  • Seddik Al-Wahy, Ahmed Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach [Volume 1, Issue 1, 2019, Pages 275-300]

W

  • Wagih Abd Al-Halim, Amani Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques [Volume 1, Issue 1, 2019, Pages 64-86]